Our research approach consisted in gathering a set of reference images and experimenting. First, we gathered references on choreographic writing, images of more or less contemporary dance, some of which formally resemble flowers, from which we extracted a vocabulary.

Then we looked for ways to divert them through formal comparisons, experiments in graphic or photographic processing to create a graphic rhythm, or to modify the way we look at the image by creating a shift, a questioning, a trace, a movement.